What’s On
Perth Festival 2024: Robert Fielding & Susan Flavell
John Curtin Gallery presents two exhibitions – one from Yankunytjatjara artist Robert Fielding and the other from Walyalup-based artist Susan Flavell.
Solar Power exhibition
This selection of works from the Collection observe solar phenomena, use light as a driver for artistic creation and consider that our relationship to this fiery cosmic object must be taken seriously, especially given the human causes of climate change here on Earth.
Upcoming Exhibitions
Pilbara Strike Project: The Strelley Mob & N’yettin-ngal Wagur – Yeye Wongie [Ancestors breath – Today talk]
Newly commissioned works by Amanda Bell, Lea Taylor, Brett Nannup, and Tyrown Waigana. Curated by Zali Morgan
Indian Ocean Craft Triennial: Codes In Parallel
Following the success of IOTA21, the second Triennial is informed by the theme, ‘Codes in Parallel’, which contemplates the multi-various languages inherent in contemporary craft.
Brett Whiteley: Inside the Studio / John Stringer Prize 2024
Brett Whiteley: Inside the Studio, on tour at John Curtin Gallery from the Art Gallery of New South Wales, offers a rare and intimate insight into the ‘artist’s world’ through the art and life of one of the most admired and intensely creative figures of twentieth century Australia.
We are on Instagram
The Gallery is now closed while we prepare for our next exhibitions.
𝙉`𝙮𝙚𝙩𝙩𝙞𝙣-𝙣𝙜𝙖𝙡 𝙒𝙖𝙜𝙪𝙧 – 𝙔𝙚𝙮𝙚 𝙒𝙤𝙣𝙜𝙞𝙚 [𝘼𝙣𝙘𝙚𝙨𝙩𝙤𝙧𝙨 𝙗𝙧𝙚𝙖𝙩𝙝 – 𝙏𝙤𝙙𝙖𝙮 𝙩𝙖𝙡𝙠] with Guest Curator, Zali Morgan and featuring four new commissions by early-career Noongar artists responding to The Carrolup Collection.
𝙋𝙞𝙡𝙗𝙖𝙧𝙖 𝙎𝙩𝙧𝙞𝙠𝙚 𝙋𝙧𝙤𝙟𝙚𝙘𝙩: 𝙏𝙝𝙚 𝙎𝙩𝙧𝙚𝙡𝙡𝙚𝙮 𝙈𝙤𝙗 Animation and historical archive immerses us in Pilbara history and language.
Opening Event: Wed 8 May 2024 6-8pm
Exhibitions open: 9 May – 9 July 2024
See link in BIO to subscribe to our email newsletter for updates and event invites.
We were thrilled, honoured and proud to have hosted Robert Fielding and Susan Flavell for the Perth Festival 24 season and its theme Ngaangk. We thank you for visiting.
If you would like to tell us what you thought, please click on link in our Bio.
📸 Susan Flavell, The Night Shining Pearl (hope), 2023
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.
Open
![The Gallery is now closed while we prepare for our next exhibitions.
𝙉'𝙮𝙚𝙩𝙩𝙞𝙣-𝙣𝙜𝙖𝙡 𝙒𝙖𝙜𝙪𝙧 - 𝙔𝙚𝙮𝙚 𝙒𝙤𝙣𝙜𝙞𝙚 [𝘼𝙣𝙘𝙚𝙨𝙩𝙤𝙧𝙨 𝙗𝙧𝙚𝙖𝙩𝙝 - 𝙏𝙤𝙙𝙖𝙮 𝙩𝙖𝙡𝙠] with Guest Curator, Zali Morgan and featuring four new commissions by early-career Noongar artists responding to The Carrolup Collection.
𝙋𝙞𝙡𝙗𝙖𝙧𝙖 𝙎𝙩𝙧𝙞𝙠𝙚 𝙋𝙧𝙤𝙟𝙚𝙘𝙩: 𝙏𝙝𝙚 𝙎𝙩𝙧𝙚𝙡𝙡𝙚𝙮 𝙈𝙤𝙗 Animation and historical archive immerses us in Pilbara history and language.
Opening Event: Wed 8 May 2024 6-8pm
Exhibitions open: 9 May – 9 July 2024
See link in BIO to subscribe to our email newsletter for updates and event invites.
We were thrilled, honoured and proud to have hosted Robert Fielding and Susan Flavell for the Perth Festival 24 season and its theme Ngaangk. We thank you for visiting.
If you would like to tell us what you thought, please click on link in our Bio.
📸 Susan Flavell, The Night Shining Pearl (hope), 2023
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
The Gallery is now closed while we prepare for our next exhibitions.
𝙉`𝙮𝙚𝙩𝙩𝙞𝙣-𝙣𝙜𝙖𝙡 𝙒𝙖𝙜𝙪𝙧 – 𝙔𝙚𝙮𝙚 𝙒𝙤𝙣𝙜𝙞𝙚 [𝘼𝙣𝙘𝙚𝙨𝙩𝙤𝙧𝙨 𝙗𝙧𝙚𝙖𝙩𝙝 – 𝙏𝙤𝙙𝙖𝙮 𝙩𝙖𝙡𝙠] with Guest Curator, Zali Morgan and featuring four new commissions by early-career Noongar artists responding to The Carrolup Collection.
𝙋𝙞𝙡𝙗𝙖𝙧𝙖 𝙎𝙩𝙧𝙞𝙠𝙚 𝙋𝙧𝙤𝙟𝙚𝙘𝙩: 𝙏𝙝𝙚 𝙎𝙩𝙧𝙚𝙡𝙡𝙚𝙮 𝙈𝙤𝙗 Animation and historical archive immerses us in Pilbara history and language.
Opening Event: Wed 8 May 2024 6-8pm
Exhibitions open: 9 May – 9 July 2024
See link in BIO to subscribe to our email newsletter for updates and event invites.
We were thrilled, honoured and proud to have hosted Robert Fielding and Susan Flavell for the Perth Festival 24 season and its theme Ngaangk. We thank you for visiting.
If you would like to tell us what you thought, please click on link in our Bio.
📸 Susan Flavell, The Night Shining Pearl (hope), 2023
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.
𝐅𝐈𝐍𝐀𝐋 𝐃𝐀𝐘𝐒 to see our exhibitions ☀️
Yankunytjatjara artist Robert Fielding (NT), 𝙆𝙞𝙣𝙖𝙧𝙖 𝙢𝙪𝙣𝙪 𝙏𝙟𝙞𝙣𝙩𝙪 (𝙈𝙤𝙤𝙣 𝙖𝙣𝙙 𝙎𝙪𝙣), and
𝘙𝘰𝘣𝘦𝘳𝘵’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘢 𝘤𝘰𝘮𝘱𝘭𝘦𝘹 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘦𝘥 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘭𝘢𝘯𝘥 – 𝘢𝘯 𝘰𝘯𝘨𝘰𝘪𝘯𝘨 𝘥𝘢𝘯𝘤𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘢𝘳𝘵𝘪𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘶𝘱𝘰𝘯 𝘸𝘩𝘪𝘤𝘩 𝘩𝘦 𝘸𝘰𝘳𝘬𝘴.
– A FIELD GUIDE FOR SUNBATHING @perthfest
Walyalup based artist Susan Flavell (WA), 𝙃𝙤𝙧𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙤𝙤𝙣, 13 𝙂𝙤𝙙𝙙𝙚𝙨𝙨𝙚𝙨 𝙖𝙣𝙙 𝙩𝙝𝙚𝙞𝙧 𝙘𝙤𝙣𝙨𝙤𝙧𝙩𝙨.
𝘏𝘦𝘳 𝘢𝘳𝘵 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘯𝘰𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘢𝘯𝘵𝘢𝘴𝘵𝘪𝘤, 𝘵𝘩𝘦 𝘮𝘰𝘯𝘴𝘵𝘳𝘰𝘶𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘵𝘩𝘪𝘤𝘢𝘭, 𝘢𝘱𝘱𝘭𝘺𝘪𝘯𝘨 𝘢 𝘳𝘢𝘯𝘨𝘦 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘴𝘵𝘳𝘢𝘵𝘦𝘨𝘪𝘦𝘴 𝘵𝘰 𝘤𝘳𝘦𝘢𝘵𝘦 𝘤𝘰𝘮𝘱𝘦𝘭𝘭𝘪𝘯𝘨 𝘴𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘢𝘭 𝘧𝘰𝘳𝘮𝘴. 𝘋𝘳𝘪𝘷𝘦𝘯 𝘣𝘺 𝘢 𝘧𝘶𝘯𝘥𝘢𝘮𝘦𝘯𝘵𝘢𝘭 𝘤𝘰𝘮𝘮𝘪𝘵𝘮𝘦𝘯𝘵 𝘵𝘰 𝘵𝘩𝘦 𝘶𝘴𝘦 𝘰𝘧 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘴, 𝘚𝘶𝘴𝘢𝘯’𝘴 𝘸𝘰𝘳𝘬 𝘪𝘯𝘵𝘦𝘳𝘳𝘰𝘨𝘢𝘵𝘦𝘴 𝘢𝘤𝘤𝘦𝘱𝘵𝘦𝘥 𝘩𝘪𝘦𝘳𝘢𝘳𝘤𝘩𝘪𝘦𝘴 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘷𝘢𝘭𝘶𝘦. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯, 𝘸𝘩𝘦𝘳𝘦𝘷𝘦𝘳 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥.
– A FIELD GUIDE FOR SUNBATHING @perthfest
LAST DAY 14 April – Last day for @end.of.the.world.auction is 12 April
___________
Images:
Robert Fielding, Objects of origin #3, 2018, C-type print on Dibond, 165 x 110 cm. Courtesy of the artist and Mimili Maku Arts.
Robert Fielding, Kinara munu Tjintu [Moon and Sun], 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon, 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon – Kali (death), 2017, recycled, found, gifted or second-hand objects, dimensions variable. Installation view, John Curtin Gallery. Photograph by Tarryn Gill.
@curtinuniversity @curtinlife @susanflavellart @robertfielding_ @mimili_maku_arts @universityartmuseumsaustralia
Proudly in collaboration with @perthfest and supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
Open
𝐅𝐈𝐍𝐀𝐋 𝐃𝐀𝐘𝐒 to see our exhibitions ☀️
Yankunytjatjara artist Robert Fielding (NT), 𝙆𝙞𝙣𝙖𝙧𝙖 𝙢𝙪𝙣𝙪 𝙏𝙟𝙞𝙣𝙩𝙪 (𝙈𝙤𝙤𝙣 𝙖𝙣𝙙 𝙎𝙪𝙣), and
𝘙𝘰𝘣𝘦𝘳𝘵’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘢 𝘤𝘰𝘮𝘱𝘭𝘦𝘹 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘦𝘥 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘭𝘢𝘯𝘥 – 𝘢𝘯 𝘰𝘯𝘨𝘰𝘪𝘯𝘨 𝘥𝘢𝘯𝘤𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘢𝘳𝘵𝘪𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘶𝘱𝘰𝘯 𝘸𝘩𝘪𝘤𝘩 𝘩𝘦 𝘸𝘰𝘳𝘬𝘴.
– A FIELD GUIDE FOR SUNBATHING @perthfest
Walyalup based artist Susan Flavell (WA), 𝙃𝙤𝙧𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙤𝙤𝙣, 13 𝙂𝙤𝙙𝙙𝙚𝙨𝙨𝙚𝙨 𝙖𝙣𝙙 𝙩𝙝𝙚𝙞𝙧 𝙘𝙤𝙣𝙨𝙤𝙧𝙩𝙨.
𝘏𝘦𝘳 𝘢𝘳𝘵 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘯𝘰𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘢𝘯𝘵𝘢𝘴𝘵𝘪𝘤, 𝘵𝘩𝘦 𝘮𝘰𝘯𝘴𝘵𝘳𝘰𝘶𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘵𝘩𝘪𝘤𝘢𝘭, 𝘢𝘱𝘱𝘭𝘺𝘪𝘯𝘨 𝘢 𝘳𝘢𝘯𝘨𝘦 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘴𝘵𝘳𝘢𝘵𝘦𝘨𝘪𝘦𝘴 𝘵𝘰 𝘤𝘳𝘦𝘢𝘵𝘦 𝘤𝘰𝘮𝘱𝘦𝘭𝘭𝘪𝘯𝘨 𝘴𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘢𝘭 𝘧𝘰𝘳𝘮𝘴. 𝘋𝘳𝘪𝘷𝘦𝘯 𝘣𝘺 𝘢 𝘧𝘶𝘯𝘥𝘢𝘮𝘦𝘯𝘵𝘢𝘭 𝘤𝘰𝘮𝘮𝘪𝘵𝘮𝘦𝘯𝘵 𝘵𝘰 𝘵𝘩𝘦 𝘶𝘴𝘦 𝘰𝘧 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘴, 𝘚𝘶𝘴𝘢𝘯’𝘴 𝘸𝘰𝘳𝘬 𝘪𝘯𝘵𝘦𝘳𝘳𝘰𝘨𝘢𝘵𝘦𝘴 𝘢𝘤𝘤𝘦𝘱𝘵𝘦𝘥 𝘩𝘪𝘦𝘳𝘢𝘳𝘤𝘩𝘪𝘦𝘴 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘷𝘢𝘭𝘶𝘦. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯, 𝘸𝘩𝘦𝘳𝘦𝘷𝘦𝘳 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥.
– A FIELD GUIDE FOR SUNBATHING @perthfest
LAST DAY 14 April – Last day for @end.of.the.world.auction is 12 April
___________
Images:
Robert Fielding, Objects of origin #3, 2018, C-type print on Dibond, 165 x 110 cm. Courtesy of the artist and Mimili Maku Arts.
Robert Fielding, Kinara munu Tjintu [Moon and Sun], 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon, 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon – Kali (death), 2017, recycled, found, gifted or second-hand objects, dimensions variable. Installation view, John Curtin Gallery. Photograph by Tarryn Gill.
@curtinuniversity @curtinlife @susanflavellart @robertfielding_ @mimili_maku_arts @universityartmuseumsaustralia
Proudly in collaboration with @perthfest and supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝘽𝙍𝙐𝙎𝙃 𝘼𝙉𝘿 𝙏𝙃𝙀 𝘽𝙊𝙒 – @australianbaroque
Thursday 11 April
Explore the incredible works on exhibition and enjoy a program of stunning music by Telemann, performed by Andy Skinner flute, Helen Kruger violin, Noeleen Wright cello, and James Huntingford harpsichord. With the musicians set amongst the art, this will be a truly beautiful event.
In true Brush and the Bow style, this intimate event makes the connection between art and music, drawing out significant themes, history and style.
This concert is part of the continued collaboration between Australian Baroque and John Curtin Gallery.
Please enjoy the exhibition before or after the concert.
Doors open: 6:30pm
Concert: 7-8pm
Gallery open until 9pm
For further information see the LINK in BIO
Open
𝘽𝙍𝙐𝙎𝙃 𝘼𝙉𝘿 𝙏𝙃𝙀 𝘽𝙊𝙒 – @australianbaroque
Thursday 11 April
Explore the incredible works on exhibition and enjoy a program of stunning music by Telemann, performed by Andy Skinner flute, Helen Kruger violin, Noeleen Wright cello, and James Huntingford harpsichord. With the musicians set amongst the art, this will be a truly beautiful event.
In true Brush and the Bow style, this intimate event makes the connection between art and music, drawing out significant themes, history and style.
This concert is part of the continued collaboration between Australian Baroque and John Curtin Gallery.
Please enjoy the exhibition before or after the concert.
Doors open: 6:30pm
Concert: 7-8pm
Gallery open until 9pm
For further information see the LINK in BIO
𝓐𝓻𝓽 & 𝓥𝓪𝓵𝓾𝓮 – 𝓖𝓲𝓿𝓲𝓷𝓰 𝓪𝓷𝓭 𝓣𝓪𝓴𝓲𝓷𝓰 (𝓨𝓪𝓻𝓷𝓲𝓷𝓰 𝓢𝓮𝓼𝓼𝓲𝓸𝓷)
𝐅𝐫𝐢 𝟏𝟐 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
We invite you to join us for the `Art and Value` yarning session at the John Curtin Gallery. During these sessions, staff members come together to discuss the exhibition programming as each period wraps up. The central theme is `value`: What value is generated by the artistic, curatorial and conceptual efforts invested in exhibitions? This discussion addresses responses to the exhibitions and the most frequently asked questions about the featured works.
For this yarn, join Kathleen Toomath (Carrolup Engagement Advisor), Ron Bradfield Jnr (Community Engagement Facilitator), Lia McKnight (Curator) and Paul Boyé (Curatorial Assistant) as they delve into Robert Fielding`s Kinara munu Tjintu. This thought-provoking exhibition has been on display at the John Curtin Gallery since early February as part of the Perth Festival 2024. Together, we’ll share our personal reflections on the three captivating bodies of work: Objects of Origin, Graveyards in Between, and Miil-Milpa. We plan to explore themes of ownership, sovereignty, and extraction: how does Robert’s work challenge colonial norms of giving and taking through material interventions and unexpected arrangements rooted in history and place?
To register your spot, please book via LINK in BIO.
Robert Fielding`s Kinara munu Tjintu is a Perth Festival event supported by Visual Arts Program Partner Wesfarmers Arts. @perthfest @wesfarmersarts
Our Engagement Program is supported by @lotterywest
@curtinuniversity @curtinlife @robertfielding_ @mimili_maku_arts @curtinmcasi @curtinfbagrads
Image: Robert Fielding, Objects of Origin, Series of 4 c-type prints on dibond. Courtesy of the artist and Mimili Maku Arts. Photography by Dan McCabe @artdoc_au
Open
𝓐𝓻𝓽 & 𝓥𝓪𝓵𝓾𝓮 – 𝓖𝓲𝓿𝓲𝓷𝓰 𝓪𝓷𝓭 𝓣𝓪𝓴𝓲𝓷𝓰 (𝓨𝓪𝓻𝓷𝓲𝓷𝓰 𝓢𝓮𝓼𝓼𝓲𝓸𝓷)
𝐅𝐫𝐢 𝟏𝟐 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
We invite you to join us for the `Art and Value` yarning session at the John Curtin Gallery. During these sessions, staff members come together to discuss the exhibition programming as each period wraps up. The central theme is `value`: What value is generated by the artistic, curatorial and conceptual efforts invested in exhibitions? This discussion addresses responses to the exhibitions and the most frequently asked questions about the featured works.
For this yarn, join Kathleen Toomath (Carrolup Engagement Advisor), Ron Bradfield Jnr (Community Engagement Facilitator), Lia McKnight (Curator) and Paul Boyé (Curatorial Assistant) as they delve into Robert Fielding`s Kinara munu Tjintu. This thought-provoking exhibition has been on display at the John Curtin Gallery since early February as part of the Perth Festival 2024. Together, we’ll share our personal reflections on the three captivating bodies of work: Objects of Origin, Graveyards in Between, and Miil-Milpa. We plan to explore themes of ownership, sovereignty, and extraction: how does Robert’s work challenge colonial norms of giving and taking through material interventions and unexpected arrangements rooted in history and place?
To register your spot, please book via LINK in BIO.
Robert Fielding`s Kinara munu Tjintu is a Perth Festival event supported by Visual Arts Program Partner Wesfarmers Arts. @perthfest @wesfarmersarts
Our Engagement Program is supported by @lotterywest
@curtinuniversity @curtinlife @robertfielding_ @mimili_maku_arts @curtinmcasi @curtinfbagrads
Image: Robert Fielding, Objects of Origin, Series of 4 c-type prints on dibond. Courtesy of the artist and Mimili Maku Arts. Photography by Dan McCabe @artdoc_au
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨: 𝙏𝙊𝙒𝘼𝙍𝘿𝙎 𝘼 𝘾𝙄𝙍𝘾𝙐𝙇𝘼𝙍 𝙍𝙀𝙑𝙊𝙇𝙐𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟏𝟎 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
♻️ Join us for our next lunchtime lecture on “Towards a Circular Revolution” and explore the transformative paradigm shift towards sustainability and resource efficiency in our global economic systems. This lecture delves into the principles and practices of the circular economy, emphasising the importance of reimagining how we produce, consume, and dispose of goods. The audience will gain insights into the economic, environmental, and social benefits of embracing circularity, fostering a deeper understanding of the pivotal role individuals, businesses, and policymakers play in steering the world towards a regenerative and sustainable future.
A/Prof. Dr Atiq Zaman specialises in circular economy and zero waste practices at the Curtin University Sustainability Policy Institute, Curtin University. He is a member of the UN Council of Engineers for the Energy Transition (CEET), an independent advisory council to the United Nations Secretary-General. Additionally, Dr Zaman serves as the Curtin Node Leader for the Australian National Environmental Science Program on Sustainable Communities and Waste Hub, funded by the Commonwealth Government. He holds the Circular Economy Theme Lead role at the Curtin Institute for Energy Transition. Dr Zaman is also a founding Co-director of the Global South Nexus- a research cluster promoting collaboration between the global North and South. He co-authored the book "Zero-Waste: Reconsidering Waste Management for the Future," published by Routledge.
@curtinuniversity @curtinlife @curtin.humanities #CEET #CurtinUniversitySustainabilityPolicyInstitute #CUSP #zerowaste
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
Open
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨: 𝙏𝙊𝙒𝘼𝙍𝘿𝙎 𝘼 𝘾𝙄𝙍𝘾𝙐𝙇𝘼𝙍 𝙍𝙀𝙑𝙊𝙇𝙐𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟏𝟎 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
♻️ Join us for our next lunchtime lecture on “Towards a Circular Revolution” and explore the transformative paradigm shift towards sustainability and resource efficiency in our global economic systems. This lecture delves into the principles and practices of the circular economy, emphasising the importance of reimagining how we produce, consume, and dispose of goods. The audience will gain insights into the economic, environmental, and social benefits of embracing circularity, fostering a deeper understanding of the pivotal role individuals, businesses, and policymakers play in steering the world towards a regenerative and sustainable future.
A/Prof. Dr Atiq Zaman specialises in circular economy and zero waste practices at the Curtin University Sustainability Policy Institute, Curtin University. He is a member of the UN Council of Engineers for the Energy Transition (CEET), an independent advisory council to the United Nations Secretary-General. Additionally, Dr Zaman serves as the Curtin Node Leader for the Australian National Environmental Science Program on Sustainable Communities and Waste Hub, funded by the Commonwealth Government. He holds the Circular Economy Theme Lead role at the Curtin Institute for Energy Transition. Dr Zaman is also a founding Co-director of the Global South Nexus- a research cluster promoting collaboration between the global North and South. He co-authored the book "Zero-Waste: Reconsidering Waste Management for the Future," published by Routledge.
@curtinuniversity @curtinlife @curtin.humanities #CEET #CurtinUniversitySustainabilityPolicyInstitute #CUSP #zerowaste
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝐓𝐮𝐞𝐬 𝟗 𝐀𝐩𝐫, 𝟒-𝟓𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
Can make this time? We have another tour happening on Wed 17 Apr, 11am-12pm
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
Open
𝐓𝐮𝐞𝐬 𝟗 𝐀𝐩𝐫, 𝟒-𝟓𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
Can make this time? We have another tour happening on Wed 17 Apr, 11am-12pm
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
☀️ The Gallery will be CLOSED over the Easter weekend from Friday 29 March until Tuesday 2 April. OPEN again on Wednesday.
Enjoy your break and see you again soon.
Some upcoming events you might like to explore are:
Campus Public Art Tour. Tues 9 Apr, 4-5pm
Lunchtime Lecture: Circular Revolution. Wed 10 Apr, 12:30-1:30pm
Australian Baroque. Thu 11 Apr, 7-8pm
Art & Value – Yarning session. Fri 12 Apr, 12:30-1:30pm
👉 Check out!! Susan Flavell`s End of the World AUCTION @end.of.the.world.auction
Ends 14 April.
Link in our BIO or visit our website: curtin.edu.au/jcg for further information.
Open
☀️ The Gallery will be CLOSED over the Easter weekend from Friday 29 March until Tuesday 2 April. OPEN again on Wednesday.
Enjoy your break and see you again soon.
Some upcoming events you might like to explore are:
Campus Public Art Tour. Tues 9 Apr, 4-5pm
Lunchtime Lecture: Circular Revolution. Wed 10 Apr, 12:30-1:30pm
Australian Baroque. Thu 11 Apr, 7-8pm
Art & Value – Yarning session. Fri 12 Apr, 12:30-1:30pm
👉 Check out!! Susan Flavell`s End of the World AUCTION @end.of.the.world.auction
Ends 14 April.
Link in our BIO or visit our website: curtin.edu.au/jcg for further information.
John Curtin Gallery is proud to be part of the 𝟐𝟒𝐭𝐡 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐨𝐟 𝐒𝐲𝐝𝐧𝐞𝐲 exhibition program “Ten Thousand Suns”. Featuring several artworks by Carrolup Child Artists: Arthur Bropho, Alma Cuttabut, Parnell Dempster, Phillip Jackson, Gregory Kelly, Edie Wallam, and five once known child artists (Australia) on loan from our collection. The exhibition is at the Chau Chak Wing Museum (University of Sydney) until 10 June.
As part of Western Australia’s assimilation policies in the 1940s, Aboriginal children from across the State were forcibly removed from their families and detained against their will at the Carrolup Native Settlement in remote bushland south of Perth. Soon after Noel White was appointed Carrolup’s headmaster and teacher in 1946, the children were all invited to respond to their natural surroundings through drawing. In little over four years the children produced many hundreds of distinctive artworks that were widely exhibited in Australia and across the UK until such time as the State decided to close the Settlement and School in 1950. Only a handful of child artists are known – making the sharing of this story so important to discover more artists names to connect their living descendants with these artworks.
Images: 1. & 2. Installation views, photographs by Susanna Castleden. 3. Once known child artist, Untitled, c1949, reproduction of original pastel on paper. 4. Alma Cuttabut, Untitled, c1949, pastel on paper.
The Herbert Mayer Collection of Carrolup Artwork was generously donated for educational and research purposes by Colgate University, NY, USA, 2013. Curtin University Art Collection. Reproduced with the permission of the Carrolup Elders Reference Group.
@colgateuniversity @ccwm_sydney @sydney_uni @biennalesydney @universityartmuseumsaustralia Truth-telling @curtinuniversity
#carrolupchildartists #carrolup #stolengeneration
Open
John Curtin Gallery is proud to be part of the 𝟐𝟒𝐭𝐡 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐨𝐟 𝐒𝐲𝐝𝐧𝐞𝐲 exhibition program “Ten Thousand Suns”. Featuring several artworks by Carrolup Child Artists: Arthur Bropho, Alma Cuttabut, Parnell Dempster, Phillip Jackson, Gregory Kelly, Edie Wallam, and five once known child artists (Australia) on loan from our collection. The exhibition is at the Chau Chak Wing Museum (University of Sydney) until 10 June.
As part of Western Australia’s assimilation policies in the 1940s, Aboriginal children from across the State were forcibly removed from their families and detained against their will at the Carrolup Native Settlement in remote bushland south of Perth. Soon after Noel White was appointed Carrolup’s headmaster and teacher in 1946, the children were all invited to respond to their natural surroundings through drawing. In little over four years the children produced many hundreds of distinctive artworks that were widely exhibited in Australia and across the UK until such time as the State decided to close the Settlement and School in 1950. Only a handful of child artists are known – making the sharing of this story so important to discover more artists names to connect their living descendants with these artworks.
Images: 1. & 2. Installation views, photographs by Susanna Castleden. 3. Once known child artist, Untitled, c1949, reproduction of original pastel on paper. 4. Alma Cuttabut, Untitled, c1949, pastel on paper.
The Herbert Mayer Collection of Carrolup Artwork was generously donated for educational and research purposes by Colgate University, NY, USA, 2013. Curtin University Art Collection. Reproduced with the permission of the Carrolup Elders Reference Group.
@colgateuniversity @ccwm_sydney @sydney_uni @biennalesydney @universityartmuseumsaustralia Truth-telling @curtinuniversity
#carrolupchildartists #carrolup #stolengeneration
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐀𝐑, 𝟐-𝟑𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
Open
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐀𝐑, 𝟐-𝟑𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝘼𝘾𝘾𝙀𝙇𝙀𝙍𝘼𝙏𝙄𝙉𝙂 𝙏𝙃𝙀 𝙀𝙉𝙀𝙍𝙂𝙔 𝙏𝙍𝘼𝙉𝙎𝙄𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐚𝐫𝐜𝐡, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
Join us for this Lunchtime Lecture, Professor Peta Ashworth (OAM) Director of the CIET will speak to her work at the CIET, and the roles artists can play in climate and energy technology research. Questions of sustainability, place and the environment underlie both exhibitions currently on show at John Curtin Gallery, which will provide important context for the lecture and discussion.
The Curtin Institute for Energy Transition (CIET) brings together artists and writers, biologists and geologists, engineers and physicists, and philosophers and social scientists. CIET aims to be a thought leader on climate and energy technologies, offering scientific information to support a just and effective transition. Together we can learn from each other and look at energy in a new way.
Professor Peta Ashworth (OAM) is a renowned expert in energy, communication, stakeholder engagement, and technology assessment. She has researched public attitudes towards climate and energy technologies, including wind, carbon capture and storage (CCS), solar photovoltaic, storage, geothermal and hydrogen, for almost two decades. An accomplished speaker and educator, she actively promotes energy literacy globally and contributes to policy briefings and educational events.
#EnergyTransition #ClimateAction #EnergySystems #RenewableEnergy #EnergyFutures @curtinuniversity @curtinlife @curtin.humanities
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
Open
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝘼𝘾𝘾𝙀𝙇𝙀𝙍𝘼𝙏𝙄𝙉𝙂 𝙏𝙃𝙀 𝙀𝙉𝙀𝙍𝙂𝙔 𝙏𝙍𝘼𝙉𝙎𝙄𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐚𝐫𝐜𝐡, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
Join us for this Lunchtime Lecture, Professor Peta Ashworth (OAM) Director of the CIET will speak to her work at the CIET, and the roles artists can play in climate and energy technology research. Questions of sustainability, place and the environment underlie both exhibitions currently on show at John Curtin Gallery, which will provide important context for the lecture and discussion.
The Curtin Institute for Energy Transition (CIET) brings together artists and writers, biologists and geologists, engineers and physicists, and philosophers and social scientists. CIET aims to be a thought leader on climate and energy technologies, offering scientific information to support a just and effective transition. Together we can learn from each other and look at energy in a new way.
Professor Peta Ashworth (OAM) is a renowned expert in energy, communication, stakeholder engagement, and technology assessment. She has researched public attitudes towards climate and energy technologies, including wind, carbon capture and storage (CCS), solar photovoltaic, storage, geothermal and hydrogen, for almost two decades. An accomplished speaker and educator, she actively promotes energy literacy globally and contributes to policy briefings and educational events.
#EnergyTransition #ClimateAction #EnergySystems #RenewableEnergy #EnergyFutures @curtinuniversity @curtinlife @curtin.humanities
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝐒𝐜𝐡𝐨𝐨𝐥 𝐇𝐨𝐥𝐢𝐝𝐚𝐲 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩𝐬 🤩
______
Using cardboard, coloured card and tissue paper create an animal or figurative sculpture with family and friends or construct on your own. Develop exciting and easy to learn sculptural techniques with exhibiting artist Susan Flavell.
Suitable for 6 to 12 year old children.
This is a Free Event and Bookings are essential.
LINK in BIO
Susan Flavell is an accomplished artist with over 40 years of experience. Through her diverse practice, Flavell explores themes of animals, nature, the environment, the unconscious, the fantastic, the monstrous, and the mythical. Her art speaks to our collective connection to the environment and the importance of sustainable practices. Her extensive artistic journey, commitment to her craft and teaching history have established her as a prominent figure in the Western Australian art world.
@curtinuniversity @curtinlife @susanflavellart
Open
𝐒𝐜𝐡𝐨𝐨𝐥 𝐇𝐨𝐥𝐢𝐝𝐚𝐲 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩𝐬 🤩
______
Using cardboard, coloured card and tissue paper create an animal or figurative sculpture with family and friends or construct on your own. Develop exciting and easy to learn sculptural techniques with exhibiting artist Susan Flavell.
Suitable for 6 to 12 year old children.
This is a Free Event and Bookings are essential.
LINK in BIO
Susan Flavell is an accomplished artist with over 40 years of experience. Through her diverse practice, Flavell explores themes of animals, nature, the environment, the unconscious, the fantastic, the monstrous, and the mythical. Her art speaks to our collective connection to the environment and the importance of sustainable practices. Her extensive artistic journey, commitment to her craft and teaching history have established her as a prominent figure in the Western Australian art world.
@curtinuniversity @curtinlife @susanflavellart
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝙍𝙀-𝙁𝙍𝘼𝙈𝙄𝙉𝙂 𝙏𝙃𝙀 𝙄𝙈𝘼𝙂𝙀
𝐖𝐞𝐝 𝟏𝟑 𝐌𝐚𝐫𝐜𝐡 , 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
JOIN US as Dr Gregor MacGregor presents Re-framing the image, a response to Susan Flavell’s Horn of the Moon-13 Goddesses and Robert Fielding’s Kinara munu Tjintu [Moon and Sun] exhibitions. The talk aims to discuss the challenges facing artists and image makers in creating a cohesive narrative around sustainability and the environment. Intersecting this with his own photographic practice, which investigates how emergent (visual) representational technologies may provide new insights into the perception of an increasingly digitised world. Specifically, by generating digital artefacts for a post natural world, examining our anthropocentric need to collect and catalogue the world around us, a world that increasingly no longer exists. @susanflavellart @robertfielding_
Dr Gregor MacGregor has recently completed his PhD and is currently working as a sessional academic at Curtin University. Prior to this he worked extensively in the photographic industry in London with leading photographers and digital designers. It is here that he became interested in the potential for combining digital technologies with the photographic image, his photographic practice explores the changing role of the image as technology alters our perceptual experience of photography. He has recently exhibited as part of the reset residency and the PCP collective group exhibitions and held his first solo exhibition, No Direction Home. He was also a finalist and winner of the Contemporary Landscapes in Photography (CLIP) competition, 2022.
@macgregor.gregor @curtindbe @curtin.humanities @curtinbfagrads
@curtinlife @curtinalumni @perthcentreforphotography
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
Open
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝙍𝙀-𝙁𝙍𝘼𝙈𝙄𝙉𝙂 𝙏𝙃𝙀 𝙄𝙈𝘼𝙂𝙀
𝐖𝐞𝐝 𝟏𝟑 𝐌𝐚𝐫𝐜𝐡 , 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
JOIN US as Dr Gregor MacGregor presents Re-framing the image, a response to Susan Flavell’s Horn of the Moon-13 Goddesses and Robert Fielding’s Kinara munu Tjintu [Moon and Sun] exhibitions. The talk aims to discuss the challenges facing artists and image makers in creating a cohesive narrative around sustainability and the environment. Intersecting this with his own photographic practice, which investigates how emergent (visual) representational technologies may provide new insights into the perception of an increasingly digitised world. Specifically, by generating digital artefacts for a post natural world, examining our anthropocentric need to collect and catalogue the world around us, a world that increasingly no longer exists. @susanflavellart @robertfielding_
Dr Gregor MacGregor has recently completed his PhD and is currently working as a sessional academic at Curtin University. Prior to this he worked extensively in the photographic industry in London with leading photographers and digital designers. It is here that he became interested in the potential for combining digital technologies with the photographic image, his photographic practice explores the changing role of the image as technology alters our perceptual experience of photography. He has recently exhibited as part of the reset residency and the PCP collective group exhibitions and held his first solo exhibition, No Direction Home. He was also a finalist and winner of the Contemporary Landscapes in Photography (CLIP) competition, 2022.
@macgregor.gregor @curtindbe @curtin.humanities @curtinbfagrads
@curtinlife @curtinalumni @perthcentreforphotography
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
The Gallery is now closed while we prepare for our next exhibitions.
𝙉`𝙮𝙚𝙩𝙩𝙞𝙣-𝙣𝙜𝙖𝙡 𝙒𝙖𝙜𝙪𝙧 – 𝙔𝙚𝙮𝙚 𝙒𝙤𝙣𝙜𝙞𝙚 [𝘼𝙣𝙘𝙚𝙨𝙩𝙤𝙧𝙨 𝙗𝙧𝙚𝙖𝙩𝙝 – 𝙏𝙤𝙙𝙖𝙮 𝙩𝙖𝙡𝙠] with Guest Curator, Zali Morgan and featuring four new commissions by early-career Noongar artists responding to The Carrolup Collection.
𝙋𝙞𝙡𝙗𝙖𝙧𝙖 𝙎𝙩𝙧𝙞𝙠𝙚 𝙋𝙧𝙤𝙟𝙚𝙘𝙩: 𝙏𝙝𝙚 𝙎𝙩𝙧𝙚𝙡𝙡𝙚𝙮 𝙈𝙤𝙗 Animation and historical archive immerses us in Pilbara history and language.
Opening Event: Wed 8 May 2024 6-8pm
Exhibitions open: 9 May – 9 July 2024
See link in BIO to subscribe to our email newsletter for updates and event invites.
We were thrilled, honoured and proud to have hosted Robert Fielding and Susan Flavell for the Perth Festival 24 season and its theme Ngaangk. We thank you for visiting.
If you would like to tell us what you thought, please click on link in our Bio.
📸 Susan Flavell, The Night Shining Pearl (hope), 2023
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.
The Gallery is now closed while we prepare for our next exhibitions.
𝙉`𝙮𝙚𝙩𝙩𝙞𝙣-𝙣𝙜𝙖𝙡 𝙒𝙖𝙜𝙪𝙧 – 𝙔𝙚𝙮𝙚 𝙒𝙤𝙣𝙜𝙞𝙚 [𝘼𝙣𝙘𝙚𝙨𝙩𝙤𝙧𝙨 𝙗𝙧𝙚𝙖𝙩𝙝 – 𝙏𝙤𝙙𝙖𝙮 𝙩𝙖𝙡𝙠] with Guest Curator, Zali Morgan and featuring four new commissions by early-career Noongar artists responding to The Carrolup Collection.
𝙋𝙞𝙡𝙗𝙖𝙧𝙖 𝙎𝙩𝙧𝙞𝙠𝙚 𝙋𝙧𝙤𝙟𝙚𝙘𝙩: 𝙏𝙝𝙚 𝙎𝙩𝙧𝙚𝙡𝙡𝙚𝙮 𝙈𝙤𝙗 Animation and historical archive immerses us in Pilbara history and language.
Opening Event: Wed 8 May 2024 6-8pm
Exhibitions open: 9 May – 9 July 2024
See link in BIO to subscribe to our email newsletter for updates and event invites.
We were thrilled, honoured and proud to have hosted Robert Fielding and Susan Flavell for the Perth Festival 24 season and its theme Ngaangk. We thank you for visiting.
If you would like to tell us what you thought, please click on link in our Bio.
📸 Susan Flavell, The Night Shining Pearl (hope), 2023
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.
𝐅𝐈𝐍𝐀𝐋 𝐃𝐀𝐘𝐒 to see our exhibitions ☀️
Yankunytjatjara artist Robert Fielding (NT), 𝙆𝙞𝙣𝙖𝙧𝙖 𝙢𝙪𝙣𝙪 𝙏𝙟𝙞𝙣𝙩𝙪 (𝙈𝙤𝙤𝙣 𝙖𝙣𝙙 𝙎𝙪𝙣), and
𝘙𝘰𝘣𝘦𝘳𝘵’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘢 𝘤𝘰𝘮𝘱𝘭𝘦𝘹 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘦𝘥 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘭𝘢𝘯𝘥 – 𝘢𝘯 𝘰𝘯𝘨𝘰𝘪𝘯𝘨 𝘥𝘢𝘯𝘤𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘢𝘳𝘵𝘪𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘶𝘱𝘰𝘯 𝘸𝘩𝘪𝘤𝘩 𝘩𝘦 𝘸𝘰𝘳𝘬𝘴.
– A FIELD GUIDE FOR SUNBATHING @perthfest
Walyalup based artist Susan Flavell (WA), 𝙃𝙤𝙧𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙤𝙤𝙣, 13 𝙂𝙤𝙙𝙙𝙚𝙨𝙨𝙚𝙨 𝙖𝙣𝙙 𝙩𝙝𝙚𝙞𝙧 𝙘𝙤𝙣𝙨𝙤𝙧𝙩𝙨.
𝘏𝘦𝘳 𝘢𝘳𝘵 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘯𝘰𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘢𝘯𝘵𝘢𝘴𝘵𝘪𝘤, 𝘵𝘩𝘦 𝘮𝘰𝘯𝘴𝘵𝘳𝘰𝘶𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘵𝘩𝘪𝘤𝘢𝘭, 𝘢𝘱𝘱𝘭𝘺𝘪𝘯𝘨 𝘢 𝘳𝘢𝘯𝘨𝘦 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘴𝘵𝘳𝘢𝘵𝘦𝘨𝘪𝘦𝘴 𝘵𝘰 𝘤𝘳𝘦𝘢𝘵𝘦 𝘤𝘰𝘮𝘱𝘦𝘭𝘭𝘪𝘯𝘨 𝘴𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘢𝘭 𝘧𝘰𝘳𝘮𝘴. 𝘋𝘳𝘪𝘷𝘦𝘯 𝘣𝘺 𝘢 𝘧𝘶𝘯𝘥𝘢𝘮𝘦𝘯𝘵𝘢𝘭 𝘤𝘰𝘮𝘮𝘪𝘵𝘮𝘦𝘯𝘵 𝘵𝘰 𝘵𝘩𝘦 𝘶𝘴𝘦 𝘰𝘧 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘴, 𝘚𝘶𝘴𝘢𝘯’𝘴 𝘸𝘰𝘳𝘬 𝘪𝘯𝘵𝘦𝘳𝘳𝘰𝘨𝘢𝘵𝘦𝘴 𝘢𝘤𝘤𝘦𝘱𝘵𝘦𝘥 𝘩𝘪𝘦𝘳𝘢𝘳𝘤𝘩𝘪𝘦𝘴 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘷𝘢𝘭𝘶𝘦. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯, 𝘸𝘩𝘦𝘳𝘦𝘷𝘦𝘳 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥.
– A FIELD GUIDE FOR SUNBATHING @perthfest
LAST DAY 14 April – Last day for @end.of.the.world.auction is 12 April
___________
Images:
Robert Fielding, Objects of origin #3, 2018, C-type print on Dibond, 165 x 110 cm. Courtesy of the artist and Mimili Maku Arts.
Robert Fielding, Kinara munu Tjintu [Moon and Sun], 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon, 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon – Kali (death), 2017, recycled, found, gifted or second-hand objects, dimensions variable. Installation view, John Curtin Gallery. Photograph by Tarryn Gill.
@curtinuniversity @curtinlife @susanflavellart @robertfielding_ @mimili_maku_arts @universityartmuseumsaustralia
Proudly in collaboration with @perthfest and supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝐅𝐈𝐍𝐀𝐋 𝐃𝐀𝐘𝐒 to see our exhibitions ☀️
Yankunytjatjara artist Robert Fielding (NT), 𝙆𝙞𝙣𝙖𝙧𝙖 𝙢𝙪𝙣𝙪 𝙏𝙟𝙞𝙣𝙩𝙪 (𝙈𝙤𝙤𝙣 𝙖𝙣𝙙 𝙎𝙪𝙣), and
𝘙𝘰𝘣𝘦𝘳𝘵’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘢 𝘤𝘰𝘮𝘱𝘭𝘦𝘹 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘦𝘥 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘭𝘢𝘯𝘥 – 𝘢𝘯 𝘰𝘯𝘨𝘰𝘪𝘯𝘨 𝘥𝘢𝘯𝘤𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘢𝘳𝘵𝘪𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘶𝘱𝘰𝘯 𝘸𝘩𝘪𝘤𝘩 𝘩𝘦 𝘸𝘰𝘳𝘬𝘴.
– A FIELD GUIDE FOR SUNBATHING @perthfest
Walyalup based artist Susan Flavell (WA), 𝙃𝙤𝙧𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙤𝙤𝙣, 13 𝙂𝙤𝙙𝙙𝙚𝙨𝙨𝙚𝙨 𝙖𝙣𝙙 𝙩𝙝𝙚𝙞𝙧 𝙘𝙤𝙣𝙨𝙤𝙧𝙩𝙨.
𝘏𝘦𝘳 𝘢𝘳𝘵 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘳𝘦𝘷𝘦𝘢𝘭𝘴 𝘯𝘰𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘢𝘯𝘵𝘢𝘴𝘵𝘪𝘤, 𝘵𝘩𝘦 𝘮𝘰𝘯𝘴𝘵𝘳𝘰𝘶𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘵𝘩𝘪𝘤𝘢𝘭, 𝘢𝘱𝘱𝘭𝘺𝘪𝘯𝘨 𝘢 𝘳𝘢𝘯𝘨𝘦 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘴𝘵𝘳𝘢𝘵𝘦𝘨𝘪𝘦𝘴 𝘵𝘰 𝘤𝘳𝘦𝘢𝘵𝘦 𝘤𝘰𝘮𝘱𝘦𝘭𝘭𝘪𝘯𝘨 𝘴𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘢𝘭 𝘧𝘰𝘳𝘮𝘴. 𝘋𝘳𝘪𝘷𝘦𝘯 𝘣𝘺 𝘢 𝘧𝘶𝘯𝘥𝘢𝘮𝘦𝘯𝘵𝘢𝘭 𝘤𝘰𝘮𝘮𝘪𝘵𝘮𝘦𝘯𝘵 𝘵𝘰 𝘵𝘩𝘦 𝘶𝘴𝘦 𝘰𝘧 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘴, 𝘚𝘶𝘴𝘢𝘯’𝘴 𝘸𝘰𝘳𝘬 𝘪𝘯𝘵𝘦𝘳𝘳𝘰𝘨𝘢𝘵𝘦𝘴 𝘢𝘤𝘤𝘦𝘱𝘵𝘦𝘥 𝘩𝘪𝘦𝘳𝘢𝘳𝘤𝘩𝘪𝘦𝘴 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘷𝘢𝘭𝘶𝘦. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯, 𝘸𝘩𝘦𝘳𝘦𝘷𝘦𝘳 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦, 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘳𝘦𝘤𝘺𝘤𝘭𝘦𝘥.
– A FIELD GUIDE FOR SUNBATHING @perthfest
LAST DAY 14 April – Last day for @end.of.the.world.auction is 12 April
___________
Images:
Robert Fielding, Objects of origin #3, 2018, C-type print on Dibond, 165 x 110 cm. Courtesy of the artist and Mimili Maku Arts.
Robert Fielding, Kinara munu Tjintu [Moon and Sun], 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon, 2024, installation view.
Photography by Dan McCabe.
Susan Flavell, Horn of the Moon – Kali (death), 2017, recycled, found, gifted or second-hand objects, dimensions variable. Installation view, John Curtin Gallery. Photograph by Tarryn Gill.
@curtinuniversity @curtinlife @susanflavellart @robertfielding_ @mimili_maku_arts @universityartmuseumsaustralia
Proudly in collaboration with @perthfest and supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝘽𝙍𝙐𝙎𝙃 𝘼𝙉𝘿 𝙏𝙃𝙀 𝘽𝙊𝙒 – @australianbaroque
Thursday 11 April
Explore the incredible works on exhibition and enjoy a program of stunning music by Telemann, performed by Andy Skinner flute, Helen Kruger violin, Noeleen Wright cello, and James Huntingford harpsichord. With the musicians set amongst the art, this will be a truly beautiful event.
In true Brush and the Bow style, this intimate event makes the connection between art and music, drawing out significant themes, history and style.
This concert is part of the continued collaboration between Australian Baroque and John Curtin Gallery.
Please enjoy the exhibition before or after the concert.
Doors open: 6:30pm
Concert: 7-8pm
Gallery open until 9pm
For further information see the LINK in BIO
𝘽𝙍𝙐𝙎𝙃 𝘼𝙉𝘿 𝙏𝙃𝙀 𝘽𝙊𝙒 – @australianbaroque
Thursday 11 April
Explore the incredible works on exhibition and enjoy a program of stunning music by Telemann, performed by Andy Skinner flute, Helen Kruger violin, Noeleen Wright cello, and James Huntingford harpsichord. With the musicians set amongst the art, this will be a truly beautiful event.
In true Brush and the Bow style, this intimate event makes the connection between art and music, drawing out significant themes, history and style.
This concert is part of the continued collaboration between Australian Baroque and John Curtin Gallery.
Please enjoy the exhibition before or after the concert.
Doors open: 6:30pm
Concert: 7-8pm
Gallery open until 9pm
For further information see the LINK in BIO
𝓐𝓻𝓽 & 𝓥𝓪𝓵𝓾𝓮 – 𝓖𝓲𝓿𝓲𝓷𝓰 𝓪𝓷𝓭 𝓣𝓪𝓴𝓲𝓷𝓰 (𝓨𝓪𝓻𝓷𝓲𝓷𝓰 𝓢𝓮𝓼𝓼𝓲𝓸𝓷)
𝐅𝐫𝐢 𝟏𝟐 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
We invite you to join us for the `Art and Value` yarning session at the John Curtin Gallery. During these sessions, staff members come together to discuss the exhibition programming as each period wraps up. The central theme is `value`: What value is generated by the artistic, curatorial and conceptual efforts invested in exhibitions? This discussion addresses responses to the exhibitions and the most frequently asked questions about the featured works.
For this yarn, join Kathleen Toomath (Carrolup Engagement Advisor), Ron Bradfield Jnr (Community Engagement Facilitator), Lia McKnight (Curator) and Paul Boyé (Curatorial Assistant) as they delve into Robert Fielding`s Kinara munu Tjintu. This thought-provoking exhibition has been on display at the John Curtin Gallery since early February as part of the Perth Festival 2024. Together, we’ll share our personal reflections on the three captivating bodies of work: Objects of Origin, Graveyards in Between, and Miil-Milpa. We plan to explore themes of ownership, sovereignty, and extraction: how does Robert’s work challenge colonial norms of giving and taking through material interventions and unexpected arrangements rooted in history and place?
To register your spot, please book via LINK in BIO.
Robert Fielding`s Kinara munu Tjintu is a Perth Festival event supported by Visual Arts Program Partner Wesfarmers Arts. @perthfest @wesfarmersarts
Our Engagement Program is supported by @lotterywest
@curtinuniversity @curtinlife @robertfielding_ @mimili_maku_arts @curtinmcasi @curtinfbagrads
Image: Robert Fielding, Objects of Origin, Series of 4 c-type prints on dibond. Courtesy of the artist and Mimili Maku Arts. Photography by Dan McCabe @artdoc_au
𝓐𝓻𝓽 & 𝓥𝓪𝓵𝓾𝓮 – 𝓖𝓲𝓿𝓲𝓷𝓰 𝓪𝓷𝓭 𝓣𝓪𝓴𝓲𝓷𝓰 (𝓨𝓪𝓻𝓷𝓲𝓷𝓰 𝓢𝓮𝓼𝓼𝓲𝓸𝓷)
𝐅𝐫𝐢 𝟏𝟐 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
We invite you to join us for the `Art and Value` yarning session at the John Curtin Gallery. During these sessions, staff members come together to discuss the exhibition programming as each period wraps up. The central theme is `value`: What value is generated by the artistic, curatorial and conceptual efforts invested in exhibitions? This discussion addresses responses to the exhibitions and the most frequently asked questions about the featured works.
For this yarn, join Kathleen Toomath (Carrolup Engagement Advisor), Ron Bradfield Jnr (Community Engagement Facilitator), Lia McKnight (Curator) and Paul Boyé (Curatorial Assistant) as they delve into Robert Fielding`s Kinara munu Tjintu. This thought-provoking exhibition has been on display at the John Curtin Gallery since early February as part of the Perth Festival 2024. Together, we’ll share our personal reflections on the three captivating bodies of work: Objects of Origin, Graveyards in Between, and Miil-Milpa. We plan to explore themes of ownership, sovereignty, and extraction: how does Robert’s work challenge colonial norms of giving and taking through material interventions and unexpected arrangements rooted in history and place?
To register your spot, please book via LINK in BIO.
Robert Fielding`s Kinara munu Tjintu is a Perth Festival event supported by Visual Arts Program Partner Wesfarmers Arts. @perthfest @wesfarmersarts
Our Engagement Program is supported by @lotterywest
@curtinuniversity @curtinlife @robertfielding_ @mimili_maku_arts @curtinmcasi @curtinfbagrads
Image: Robert Fielding, Objects of Origin, Series of 4 c-type prints on dibond. Courtesy of the artist and Mimili Maku Arts. Photography by Dan McCabe @artdoc_au
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨: 𝙏𝙊𝙒𝘼𝙍𝘿𝙎 𝘼 𝘾𝙄𝙍𝘾𝙐𝙇𝘼𝙍 𝙍𝙀𝙑𝙊𝙇𝙐𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟏𝟎 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
♻️ Join us for our next lunchtime lecture on “Towards a Circular Revolution” and explore the transformative paradigm shift towards sustainability and resource efficiency in our global economic systems. This lecture delves into the principles and practices of the circular economy, emphasising the importance of reimagining how we produce, consume, and dispose of goods. The audience will gain insights into the economic, environmental, and social benefits of embracing circularity, fostering a deeper understanding of the pivotal role individuals, businesses, and policymakers play in steering the world towards a regenerative and sustainable future.
A/Prof. Dr Atiq Zaman specialises in circular economy and zero waste practices at the Curtin University Sustainability Policy Institute, Curtin University. He is a member of the UN Council of Engineers for the Energy Transition (CEET), an independent advisory council to the United Nations Secretary-General. Additionally, Dr Zaman serves as the Curtin Node Leader for the Australian National Environmental Science Program on Sustainable Communities and Waste Hub, funded by the Commonwealth Government. He holds the Circular Economy Theme Lead role at the Curtin Institute for Energy Transition. Dr Zaman is also a founding Co-director of the Global South Nexus- a research cluster promoting collaboration between the global North and South. He co-authored the book "Zero-Waste: Reconsidering Waste Management for the Future," published by Routledge.
@curtinuniversity @curtinlife @curtin.humanities #CEET #CurtinUniversitySustainabilityPolicyInstitute #CUSP #zerowaste
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨: 𝙏𝙊𝙒𝘼𝙍𝘿𝙎 𝘼 𝘾𝙄𝙍𝘾𝙐𝙇𝘼𝙍 𝙍𝙀𝙑𝙊𝙇𝙐𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟏𝟎 𝐀𝐩𝐫, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
♻️ Join us for our next lunchtime lecture on “Towards a Circular Revolution” and explore the transformative paradigm shift towards sustainability and resource efficiency in our global economic systems. This lecture delves into the principles and practices of the circular economy, emphasising the importance of reimagining how we produce, consume, and dispose of goods. The audience will gain insights into the economic, environmental, and social benefits of embracing circularity, fostering a deeper understanding of the pivotal role individuals, businesses, and policymakers play in steering the world towards a regenerative and sustainable future.
A/Prof. Dr Atiq Zaman specialises in circular economy and zero waste practices at the Curtin University Sustainability Policy Institute, Curtin University. He is a member of the UN Council of Engineers for the Energy Transition (CEET), an independent advisory council to the United Nations Secretary-General. Additionally, Dr Zaman serves as the Curtin Node Leader for the Australian National Environmental Science Program on Sustainable Communities and Waste Hub, funded by the Commonwealth Government. He holds the Circular Economy Theme Lead role at the Curtin Institute for Energy Transition. Dr Zaman is also a founding Co-director of the Global South Nexus- a research cluster promoting collaboration between the global North and South. He co-authored the book "Zero-Waste: Reconsidering Waste Management for the Future," published by Routledge.
@curtinuniversity @curtinlife @curtin.humanities #CEET #CurtinUniversitySustainabilityPolicyInstitute #CUSP #zerowaste
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝐓𝐮𝐞𝐬 𝟗 𝐀𝐩𝐫, 𝟒-𝟓𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
Can make this time? We have another tour happening on Wed 17 Apr, 11am-12pm
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
𝐓𝐮𝐞𝐬 𝟗 𝐀𝐩𝐫, 𝟒-𝟓𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
Can make this time? We have another tour happening on Wed 17 Apr, 11am-12pm
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
☀️ The Gallery will be CLOSED over the Easter weekend from Friday 29 March until Tuesday 2 April. OPEN again on Wednesday.
Enjoy your break and see you again soon.
Some upcoming events you might like to explore are:
Campus Public Art Tour. Tues 9 Apr, 4-5pm
Lunchtime Lecture: Circular Revolution. Wed 10 Apr, 12:30-1:30pm
Australian Baroque. Thu 11 Apr, 7-8pm
Art & Value – Yarning session. Fri 12 Apr, 12:30-1:30pm
👉 Check out!! Susan Flavell`s End of the World AUCTION @end.of.the.world.auction
Ends 14 April.
Link in our BIO or visit our website: curtin.edu.au/jcg for further information.
☀️ The Gallery will be CLOSED over the Easter weekend from Friday 29 March until Tuesday 2 April. OPEN again on Wednesday.
Enjoy your break and see you again soon.
Some upcoming events you might like to explore are:
Campus Public Art Tour. Tues 9 Apr, 4-5pm
Lunchtime Lecture: Circular Revolution. Wed 10 Apr, 12:30-1:30pm
Australian Baroque. Thu 11 Apr, 7-8pm
Art & Value – Yarning session. Fri 12 Apr, 12:30-1:30pm
👉 Check out!! Susan Flavell`s End of the World AUCTION @end.of.the.world.auction
Ends 14 April.
Link in our BIO or visit our website: curtin.edu.au/jcg for further information.
John Curtin Gallery is proud to be part of the 𝟐𝟒𝐭𝐡 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐨𝐟 𝐒𝐲𝐝𝐧𝐞𝐲 exhibition program “Ten Thousand Suns”. Featuring several artworks by Carrolup Child Artists: Arthur Bropho, Alma Cuttabut, Parnell Dempster, Phillip Jackson, Gregory Kelly, Edie Wallam, and five once known child artists (Australia) on loan from our collection. The exhibition is at the Chau Chak Wing Museum (University of Sydney) until 10 June.
As part of Western Australia’s assimilation policies in the 1940s, Aboriginal children from across the State were forcibly removed from their families and detained against their will at the Carrolup Native Settlement in remote bushland south of Perth. Soon after Noel White was appointed Carrolup’s headmaster and teacher in 1946, the children were all invited to respond to their natural surroundings through drawing. In little over four years the children produced many hundreds of distinctive artworks that were widely exhibited in Australia and across the UK until such time as the State decided to close the Settlement and School in 1950. Only a handful of child artists are known – making the sharing of this story so important to discover more artists names to connect their living descendants with these artworks.
Images: 1. & 2. Installation views, photographs by Susanna Castleden. 3. Once known child artist, Untitled, c1949, reproduction of original pastel on paper. 4. Alma Cuttabut, Untitled, c1949, pastel on paper.
The Herbert Mayer Collection of Carrolup Artwork was generously donated for educational and research purposes by Colgate University, NY, USA, 2013. Curtin University Art Collection. Reproduced with the permission of the Carrolup Elders Reference Group.
@colgateuniversity @ccwm_sydney @sydney_uni @biennalesydney @universityartmuseumsaustralia Truth-telling @curtinuniversity
#carrolupchildartists #carrolup #stolengeneration
John Curtin Gallery is proud to be part of the 𝟐𝟒𝐭𝐡 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐨𝐟 𝐒𝐲𝐝𝐧𝐞𝐲 exhibition program “Ten Thousand Suns”. Featuring several artworks by Carrolup Child Artists: Arthur Bropho, Alma Cuttabut, Parnell Dempster, Phillip Jackson, Gregory Kelly, Edie Wallam, and five once known child artists (Australia) on loan from our collection. The exhibition is at the Chau Chak Wing Museum (University of Sydney) until 10 June.
As part of Western Australia’s assimilation policies in the 1940s, Aboriginal children from across the State were forcibly removed from their families and detained against their will at the Carrolup Native Settlement in remote bushland south of Perth. Soon after Noel White was appointed Carrolup’s headmaster and teacher in 1946, the children were all invited to respond to their natural surroundings through drawing. In little over four years the children produced many hundreds of distinctive artworks that were widely exhibited in Australia and across the UK until such time as the State decided to close the Settlement and School in 1950. Only a handful of child artists are known – making the sharing of this story so important to discover more artists names to connect their living descendants with these artworks.
Images: 1. & 2. Installation views, photographs by Susanna Castleden. 3. Once known child artist, Untitled, c1949, reproduction of original pastel on paper. 4. Alma Cuttabut, Untitled, c1949, pastel on paper.
The Herbert Mayer Collection of Carrolup Artwork was generously donated for educational and research purposes by Colgate University, NY, USA, 2013. Curtin University Art Collection. Reproduced with the permission of the Carrolup Elders Reference Group.
@colgateuniversity @ccwm_sydney @sydney_uni @biennalesydney @universityartmuseumsaustralia Truth-telling @curtinuniversity
#carrolupchildartists #carrolup #stolengeneration
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐀𝐑, 𝟐-𝟑𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐀𝐑, 𝟐-𝟑𝐩𝐦
Visit and learn about a selection of public artworks on campus, guided by Campus Public Art Coordinator and artist Mikaela Miller
Public artworks installed at Curtin University capture WA’s unique history, from ancient Noongar songlines to the State’s diverse geology. Tour a series of artworks commissioned from internationally acclaimed contemporary artists including Pip & Pop’s Tanya Schultz, Howard Taylor, Robert Juniper, Walter Jack, Warren Langley, Janet Laurence and Kambarni (Kamsani Bin Salleh) and learn about their context, commissioning and installation.
What participants can bring: comfortable walking shoes, sun protection and water bottle. Walking is along easy and well-maintained paths, mostly flat.
If weather conditions are predicted to be too extreme, this event may be rescheduled. Duration: Approx. 1hr.
The April tours form part of the Town of Victoria Park Arts Season 2024.
To register your place, visit LINK in BIO
@curtinuniversity @curtinlifeaustralia @townofvicpark
Image: Walter Jack, Other Views, 2019, located on Beasley Avenue opposite Curtin Nesuto. Photographer Sam Proctor.
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝘼𝘾𝘾𝙀𝙇𝙀𝙍𝘼𝙏𝙄𝙉𝙂 𝙏𝙃𝙀 𝙀𝙉𝙀𝙍𝙂𝙔 𝙏𝙍𝘼𝙉𝙎𝙄𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐚𝐫𝐜𝐡, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
Join us for this Lunchtime Lecture, Professor Peta Ashworth (OAM) Director of the CIET will speak to her work at the CIET, and the roles artists can play in climate and energy technology research. Questions of sustainability, place and the environment underlie both exhibitions currently on show at John Curtin Gallery, which will provide important context for the lecture and discussion.
The Curtin Institute for Energy Transition (CIET) brings together artists and writers, biologists and geologists, engineers and physicists, and philosophers and social scientists. CIET aims to be a thought leader on climate and energy technologies, offering scientific information to support a just and effective transition. Together we can learn from each other and look at energy in a new way.
Professor Peta Ashworth (OAM) is a renowned expert in energy, communication, stakeholder engagement, and technology assessment. She has researched public attitudes towards climate and energy technologies, including wind, carbon capture and storage (CCS), solar photovoltaic, storage, geothermal and hydrogen, for almost two decades. An accomplished speaker and educator, she actively promotes energy literacy globally and contributes to policy briefings and educational events.
#EnergyTransition #ClimateAction #EnergySystems #RenewableEnergy #EnergyFutures @curtinuniversity @curtinlife @curtin.humanities
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝘼𝘾𝘾𝙀𝙇𝙀𝙍𝘼𝙏𝙄𝙉𝙂 𝙏𝙃𝙀 𝙀𝙉𝙀𝙍𝙂𝙔 𝙏𝙍𝘼𝙉𝙎𝙄𝙏𝙄𝙊𝙉
𝐖𝐞𝐝 𝟐𝟕 𝐌𝐚𝐫𝐜𝐡, 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
Join us for this Lunchtime Lecture, Professor Peta Ashworth (OAM) Director of the CIET will speak to her work at the CIET, and the roles artists can play in climate and energy technology research. Questions of sustainability, place and the environment underlie both exhibitions currently on show at John Curtin Gallery, which will provide important context for the lecture and discussion.
The Curtin Institute for Energy Transition (CIET) brings together artists and writers, biologists and geologists, engineers and physicists, and philosophers and social scientists. CIET aims to be a thought leader on climate and energy technologies, offering scientific information to support a just and effective transition. Together we can learn from each other and look at energy in a new way.
Professor Peta Ashworth (OAM) is a renowned expert in energy, communication, stakeholder engagement, and technology assessment. She has researched public attitudes towards climate and energy technologies, including wind, carbon capture and storage (CCS), solar photovoltaic, storage, geothermal and hydrogen, for almost two decades. An accomplished speaker and educator, she actively promotes energy literacy globally and contributes to policy briefings and educational events.
#EnergyTransition #ClimateAction #EnergySystems #RenewableEnergy #EnergyFutures @curtinuniversity @curtinlife @curtin.humanities
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝐒𝐜𝐡𝐨𝐨𝐥 𝐇𝐨𝐥𝐢𝐝𝐚𝐲 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩𝐬 🤩
______
Using cardboard, coloured card and tissue paper create an animal or figurative sculpture with family and friends or construct on your own. Develop exciting and easy to learn sculptural techniques with exhibiting artist Susan Flavell.
Suitable for 6 to 12 year old children.
This is a Free Event and Bookings are essential.
LINK in BIO
Susan Flavell is an accomplished artist with over 40 years of experience. Through her diverse practice, Flavell explores themes of animals, nature, the environment, the unconscious, the fantastic, the monstrous, and the mythical. Her art speaks to our collective connection to the environment and the importance of sustainable practices. Her extensive artistic journey, commitment to her craft and teaching history have established her as a prominent figure in the Western Australian art world.
@curtinuniversity @curtinlife @susanflavellart
𝐒𝐜𝐡𝐨𝐨𝐥 𝐇𝐨𝐥𝐢𝐝𝐚𝐲 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩𝐬 🤩
______
Using cardboard, coloured card and tissue paper create an animal or figurative sculpture with family and friends or construct on your own. Develop exciting and easy to learn sculptural techniques with exhibiting artist Susan Flavell.
Suitable for 6 to 12 year old children.
This is a Free Event and Bookings are essential.
LINK in BIO
Susan Flavell is an accomplished artist with over 40 years of experience. Through her diverse practice, Flavell explores themes of animals, nature, the environment, the unconscious, the fantastic, the monstrous, and the mythical. Her art speaks to our collective connection to the environment and the importance of sustainable practices. Her extensive artistic journey, commitment to her craft and teaching history have established her as a prominent figure in the Western Australian art world.
@curtinuniversity @curtinlife @susanflavellart
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝙍𝙀-𝙁𝙍𝘼𝙈𝙄𝙉𝙂 𝙏𝙃𝙀 𝙄𝙈𝘼𝙂𝙀
𝐖𝐞𝐝 𝟏𝟑 𝐌𝐚𝐫𝐜𝐡 , 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
JOIN US as Dr Gregor MacGregor presents Re-framing the image, a response to Susan Flavell’s Horn of the Moon-13 Goddesses and Robert Fielding’s Kinara munu Tjintu [Moon and Sun] exhibitions. The talk aims to discuss the challenges facing artists and image makers in creating a cohesive narrative around sustainability and the environment. Intersecting this with his own photographic practice, which investigates how emergent (visual) representational technologies may provide new insights into the perception of an increasingly digitised world. Specifically, by generating digital artefacts for a post natural world, examining our anthropocentric need to collect and catalogue the world around us, a world that increasingly no longer exists. @susanflavellart @robertfielding_
Dr Gregor MacGregor has recently completed his PhD and is currently working as a sessional academic at Curtin University. Prior to this he worked extensively in the photographic industry in London with leading photographers and digital designers. It is here that he became interested in the potential for combining digital technologies with the photographic image, his photographic practice explores the changing role of the image as technology alters our perceptual experience of photography. He has recently exhibited as part of the reset residency and the PCP collective group exhibitions and held his first solo exhibition, No Direction Home. He was also a finalist and winner of the Contemporary Landscapes in Photography (CLIP) competition, 2022.
@macgregor.gregor @curtindbe @curtin.humanities @curtinbfagrads
@curtinlife @curtinalumni @perthcentreforphotography
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
𝙇𝙪𝙣𝙘𝙝𝙩𝙞𝙢𝙚 𝙇𝙚𝙘𝙩𝙪𝙧𝙚𝙨:
𝙍𝙀-𝙁𝙍𝘼𝙈𝙄𝙉𝙂 𝙏𝙃𝙀 𝙄𝙈𝘼𝙂𝙀
𝐖𝐞𝐝 𝟏𝟑 𝐌𝐚𝐫𝐜𝐡 , 𝟏𝟐:𝟑𝟎-𝟏:𝟑𝟎𝐩𝐦
JOIN US as Dr Gregor MacGregor presents Re-framing the image, a response to Susan Flavell’s Horn of the Moon-13 Goddesses and Robert Fielding’s Kinara munu Tjintu [Moon and Sun] exhibitions. The talk aims to discuss the challenges facing artists and image makers in creating a cohesive narrative around sustainability and the environment. Intersecting this with his own photographic practice, which investigates how emergent (visual) representational technologies may provide new insights into the perception of an increasingly digitised world. Specifically, by generating digital artefacts for a post natural world, examining our anthropocentric need to collect and catalogue the world around us, a world that increasingly no longer exists. @susanflavellart @robertfielding_
Dr Gregor MacGregor has recently completed his PhD and is currently working as a sessional academic at Curtin University. Prior to this he worked extensively in the photographic industry in London with leading photographers and digital designers. It is here that he became interested in the potential for combining digital technologies with the photographic image, his photographic practice explores the changing role of the image as technology alters our perceptual experience of photography. He has recently exhibited as part of the reset residency and the PCP collective group exhibitions and held his first solo exhibition, No Direction Home. He was also a finalist and winner of the Contemporary Landscapes in Photography (CLIP) competition, 2022.
@macgregor.gregor @curtindbe @curtin.humanities @curtinbfagrads
@curtinlife @curtinalumni @perthcentreforphotography
To register: LINK in BIO
Exhibitions run from Fri Feb 9 to Sun 14 Apr
(Mon to Fri 11 – 5pm, Sun 12 – 4pm. Closed Public Holidays).
Proudly a @perthfest exhibition supported by our Visual Arts Program Partners @wesfarmersarts and @lotterywest
The Carrolup Centre for Truth-telling
When a collection of Carrolup artworks came home to Nyungar country in 2013, a unique and precious resource was returned to Western Australia.
About The John Curtin Gallery The Gallery holds an important collection of Aboriginal and Contemporary Australian artworks
Established in 1968, the Collection has steadily grown as a major public cultural resource and focal point for dialogue and reflection in the community. The Gallery hosts major exhibitions each year and is recommended for lovers of contemporary art.
Highlights from the gallery
New Noongar child drawings unveiled in anniversary celebrations
Another 10 drawings created by Australian First Nations Stolen Generations children have been…
Carrolup Coolingah Wirn – The Spirit of Carrolup Children now showing at the John Curtin Gallery
The John Curtin Gallery and Curtin University acknowledge the traditional custodians of the land…
Join artists Ilona McGuire and Amy Perejuan-Capone discussing the John Stringer Prize 2023
Gain insights into their art practice and artworks for John Stringer Prize 2023.
Lotterywest support paves reconciliation pathway for Nyungar artworks
The John Curtin Gallery and Curtin University acknowledge the traditional custodians of the land…
Locations
John Curtin Gallery Curtin University
Building 200A Curtin University, Kent Street
Bentley, Western Australia 6102
Monday – Friday 11am – 5pm
Sunday 12pm – 4pm
Closed Saturdays and Public Holidays
Currently OPEN > 9 February – 14 April. Perth Festival 2024: Susan Flavell / Robert Fielding
The Carrolup Centre for Truth-telling
139 St Georges Terrace,
Perth, Western Australia 6102
Monday – Friday 11am – 5pm
Sunday 12pm – 4pm.
Closed Saturdays and Public Holidays
The Carrolup Centre for Truth-telling is opening in 2024. Sign up to our newsletter to find out more.
